November 23rd, 2012. Latest update: June 10th, 2013
Joel Silverstein is a comrade-in-arms. We share many ideas about the creation and nature of contemporary Jewish Art, as well as a commitment to the growing Jewish Art community, exemplified by the Jewish Art Salon of which we are both founding members and curators. This exhibition of his recent work at the Kraft Center for Jewish Student Life at Columbia/Barnard, curated by Yona Verwer, gives us the crucial opportunity to examine the complex richness of his artwork.
I saw the miracle of the snakes (2012)
His ideas about Jewish Art are inherently radical as he expressed in 2006: “It is our assertion that Jewish thought is a precursive factor in the formation of Modernism and postmodernism… [postulating] the relationship of artistic creativity to Jewish thought [and maintaining that] Jewish thought is demonstrated to predate and augment the advent of modern aesthetics.”
His belief in “the Jewish Sublime” flies in the face of most Jewish intellectuals denial that Jewish contemporary art exists at all. Nevertheless Silverstein persists in his beliefs; writing, curating and creating works of art that reflect a vibrant synthesis of his Brooklyn Jewish upbringing, Torah narratives and postmodern visual sensibility without succumbing to a postmodern emotional emptiness.
The Jewish Art Salon (JAS) is a 501.c.3 non-profit organization. It is a global network of contemporary visual artists and art professionals. Established in 2008 and based in New York City, JAS has over 400 members and over 2,000 participants. Through its 60+ shows, events and collaborations in the US, Europe and Israel, JAS has reached approximately 30,000 individuals since its inception. JAS provides important programs and resources, and develops lasting partnerships with the international art community and the general public.
